Pages

Friday 27 December 2013

eSSAY....

In this semester, I have learned how to be manage my time as a planning student.During this semester,with all the project that we have done,I really like the project 5 NEIGHBOURHOOD AND ENVIRONMENT because this project all of us can go to the site anf make our site analysis. 
 I would like to thank all those who helped me throughout this first semester, especially our friends and lecturers who provide advice and guidance in the completion of a project. All experience in this semester taught me to always work together in doing something, always ask if not sure and do not be selfish.  In completing the project 6, theres lot of problem but with cooperation and ideas of my group members, we finally succeeded.iNSYAALLAH,in next semester,i wiil work hard and strunggle to get a good pointer............. 

Wednesday 25 December 2013

PErformanCE niGHT....

PERformance night...the latest project from RUS 104 in this semester...we had to do the performance at this night...Planning team were given LANGKASUKA kingdom from seven kingdom...We was perfom dancing and cup performance....that night..was the night that we never forget.... we HAD TO WEAR LIKE LANGKASUKA KINGDOM...






prOject 7 an Xbition dAY

xbition DAY....
        HerE,WE NEED to sHOW our prOject that we have done from pRoject 1 until project 6...We were giving a booth that sharing with interior design team...tHere's lot of preparation that we have to make it....tHANKS GOd..our team give a lot support during design our booth...THE theme that we have given is Floating Line.....look at our booth...WE ARE PLANNING TEAM!!!!



WE are THE PLANNING TEAM!!!!!!

pRoject 6: aN ampHTheATer StaGE

fINALLY,after we finished do the design..we started to do the model...wiTh the BUDget only RM 40 per person..we buy the material...and stated to do the model...the design so simple..but when we start to do that model..There's lot of problem that we had to faced it...But with the patient all the groups members..we finally do it...yeahhh....

an this is our model....nice and simple.with all group members....

Tuesday 26 November 2013

PRoject 6:AN amphitheater stage DEsign..

in THIS our Final  PROJECT,,WE DO iT BY GROUP....wE NEED TO MAKE A DESIGN OF ampHITHEATER Stage and a report...there lot of challenge during making this Project...tHis is our design...





and this is our proposal report of this project




Design proposal for
“USM AMPHITHEATRE STAGE”

Group 9 Studiomasters:
Dr. FaizalBaharom
Dr. CheahChee Ban



Executive Summary

This report provides all the info needed to build an “Amphitheatre stage” at School of Housing, Building and Planning in USM Minden.Site of analysis include all the natural element that needed to be considered in construction industry so that the building is stable and strong enough to deal with natural impact.
All calculation can be found in the presentation drawing including the site analysis for the stage. Besides, the measurement for the whole proposed area has been calculated and divided equally  so that the audience can enjoy the show in much better way.The zone divided are buffer zone,stage zone,seating zone and entrance/exit zone.
This stage is specially design in such way that can be used for all purpose and for people from all walks of life including the disable without losing its aesthetic value.This report  also recommend that  RUS104 INTEGRATED STUDIO continue supporting their student while maintaining the quality of the project produce.











Table of content


Bil
Subject
Page


1.0
Introduction


2.0
Objectives


3.0
Background study and site analysis


4.0
Proposed design development


5.0
Project scheduling


6.0
Construction method, material selection and etc


Conclusion


1.0  Introduction

Building does not have to be large to be pleasantly viewed, and does not have to be extensively enclosed to be comfortably occupied. This is especially so in the tropics, where simple living under the shade with the users being kept connected to the nature is more recommended. Such examples are commonly found waqf (wakaf) or traditional performance stage that is aesthetically beautiful and functionally viable. With the advance of structural know-how and efficient technology, these small structure buildings like the performance stage have been upgraded to be more creatively designed and applicable for broader functions. This includes a mini amphitheatre stage, which has gained greater attention in recent years, since it is easily placed in small to medium size of outdoor spaces. Inspired by this characteristic, designing and constructing a special amphitheatre stage for the USM as the main studio project involving various aspects of construction is well worth the effort since the stage can cater for numerous events and activities that are continuously held at the university throughout the years.

2.0 Objective
·         To develop teamwork and leadership among the group members.
·         To apply the knowledges we have learnt from lectures in our project.
·         To provide opportunities for us to understand and learn from each other who are from different expertise (majors).
·         They have to ensure that their design is functionable in the real climate and site. So, they can prove that their design is not just superficial but practical and it can be built.
·         Students can understand the basic costing analysis and have to ensure that cost of materials used is reasonable by the techniques of surveying.
·         Students have to choose the suitable materials to achieve minimum wastage. They can also apply basic knowledge about building services in the design.
·         To gain more experience through site analysis so that theories learnt can be complied in the projects in present and future..
·         Students have chances to apply the knowledge about building construction to use appropriate construction techniques to build a stage which has a strong foundation.
·         To improve report writing skills and spatial arrangement skills in presentation drawings.
·         To gain confidence in selling our product so that the potential customers are attracted to our product.

3.0 Background Study and Site Analysis
School of housing, building and planning is established in 1972 by the late Tan Sri Professor Hamzah Sendut, the Vice Chancellor of USM, the nation’s second oldest university in Malaysia, the School of Housing, Building and Planning (HBP) is one of the few building construction-based educational centers in Malaysia that is multi-disciplinary in nature. The School was modeled along the lines of what Professor Koenigsberger and Markus had envisioned to meet the needs of a developing country.
Building does not have to be large to be pleasantly viewed, and does not have to be extensively enclosed to be comfortably occupied. Therefore, with the area in ​​housing, building, and planning schools, the mini amphitheater stage will be built since it is easily placed in small to medium size of outdoor spaces. Inspired by this characteristic, designing and constructing a special amphitheater stage for USM as the main studio project involving various aspect of construction is well worth the effort since the stage can cater for numerous events and activities that are continuously held at the university through the years.
The proposed site for the amphitheater is located on an open space next to studio of HBP in USM.The site location is on a slope,which is  overlooking nice view from the site with the beautiful sea and Penang Bridges. The type of land that we use for our amphitheater is latex land .The drainage at this area from upper is quite good and enough for the water to flow down.
The main concept of our amphitheater stage design is based on a type of dance that is call as Finger Tutting. Tutting is the word derived from the name of the Egyptian king Tutankhanum or king Tut’.It is called Anggertutting because the dance is one of modern dance and it is known around the world. The dance will be done with the specific music beat or rhythm (ROBORIC RHYTHM). The dance was born from US in early 1980’s. The idea of the dance is taken from HIEROGLYPHICS or ancient egyptian wall writing. The steps of the dance based on Mathemathics or Geomatrision angles and shapes. We have agreed to built the amphitheater based on this concept because we feel that the stage will be the place where people unleash their talent. Thus,the stage need same element that relate with the function of the stage. So, we have agree to built the amphitheater based on “finger tutting” concept.
SITE Project 6ii3.1       Location Plan






-This is the proposed site given to us, the dimension is 50M x 40M (length x width).The location is next to HBP building.

3.2       Result
-This is our result from the site analysis
Time during   afternoon  around 12.00 pm.
TIMES
12.00
12.05
12.10
TYPES
    Max
    Min
    max
Min
    max
    min
Velocity of wind (ms-1)
1.5
1.1
1.6
1.6
1.8
1.6
Humidity (%RH)

64.3
62.9
66.9
66.6
62.1
62.0
Temperature
33.1
32.8
33.2
32.9
32.7
32.0
Sound (aBa)
59.2
57.9
61.5
60.9
57.1
56.5


MEAN
                                              Types
Velocity of wind (ms-1)
Humidity (% RH)
Temperature
Sound(aBa)
Max
1.63
64.43
33.00
59.27
Min
1.43
63.83
32.57
58.43

3.3       Conclusion for site analysis
·         In the afternoon, the velocity of wind is moderate and the pressure that will be happen on the stage roof is in the good condition because the wind is not strong.
·         The surrounding sound reading were bit high since the site is near to the road.
·         The temperature at the site are standard temperature in Malaysia which is in range 30 degree Celsius to 35 degree.


















5.0 Project scheduling



6.0       Construction method, material selection and etc
Construction Method
Conventional Building Construction refers to the traditional method of construction where the construction knowledge is passed from one generation to the other. On the other hand, IBC define it as a type of construction whose primary structural elements are formed by a system of repetitive wood framing members. For conventional construction, it divided into 3 phases, which are Design Phase, Bid Phase and lastly Construction Phase. For this amphitheater project, the main material must be timber. So for the flooring, roof and so on are made from timber. Here is an example of conventional wood frame construction.





The reason this method been chosen is because of its several advantages in different aspects:
1. Strength. Timber framing by either method is strong in real structural terms. Heavy-timber frames, with or without infilling, are more resistant to trauma from earthquakes, wind uplift and heavy snow load than light-frame construction
2. Conducive to infilling. Heavy-timber framing is more appropriate than stick framing for infilling with natural building techniques. With infilling, it is not critical that exact spacing be left between vertical studs or posts; masonry and cob can fit any space, and straw bales can be made to fit almost any width of space.
3. Ease of construction. If you’ve never before built a timber-frame structure, you might find it easier than conventional studding, which requires fairly exact tolerances for the application of sheetrock, plywood and the like. With timber framing, far fewer pieces are handled, and tolerances, at least in the post-and-beam frame, do not need to be quite so exact.
4. Economy. If you are buying from a local sawmill, you will likely discover that timber framing is more economical than buying finished lumber. When buying heavy timbers from a distant source, this advantage is lost, and timber framing may become more expensive. The key to building anything economically by any method is to use local or indigenous materials.


Superstructure and Substructure
For superstructure, we propose to use steel truss system for roof supporting structure. The reasons we chose this is because of steel trusses include being lightweight and mould resistant, unlike wood framing. Also, steel material makes it possible to span a large area, such as an airplane hangar. Perhaps the most important advantage is the fact that steel is not combustible like wood, making it resilient in a fire.

                For foundation, we propose wood piling. To hold the stage well, we purpose to hit 4 piles in 4 corners. The size of the pile is 6inch*6inch , and the depth is 16 feet.
The wood we propose to use is Bakau wood. The Bakau piles are not only cheap, but also easy to be handled in piling work. The buildings that use Bakau piles as foundation can at least stand for 10 years, and the Bakau piles are very easy to be cleared off when the other type of foundation need to be used. The minimum length of the mangrove piles use is only 6.0m and they can be joint with a pile joint, which is made up by a steel box. The lengthening of pile may increase the soil bearing capacity and make sure then the piles are stand on a firm or stiff clay, so that the downward movement of piles will not happen. Drop hammer is used for the driver of the mangrove piles. To install the piles into soft clay, the drop hammer just pushes the piles with small force. The clay is excavating before the installation of piles. Furthermore, since the site is located at a slope, so some land -filling have to be done.







6.2.1    FOR MODEL

MATERIAL USED
ADVANTAGES
ROOF

Balsa wood and the Perspex.

BALSA WOOD
-good in flexibilities and strong
-absorb vibration.
Balsa wood core material is easy to bond when using any type of resin or adhesive. Balsa core also serves as a natural insulator, fire retardant and noise reduction material. Working with balsa wood is easy, as it can handle changes in temperature and high chemical resistance (including styrene). Balsa wood core can also come with the latest coating technologies to protect it from environmental issues.
WALL

Balsa
 PERSPEX
- It's a strong plastic that features similar qualities to glass with regards to transparency.  They are also cheaper compared to glass.  Its available in different colours and styles. They are reusable.
FLOOR AND STAIR
Plywood
-Have a great wide resistance to cleavage and fracture.
-The lightweight plywood ease in manufacturing
-Able to hold nails and screws better
-plywood more efficient
-Freedom from shrinking, swelling and warping - Solid wood exhibits considerable movement across the grain but generally negligible shrinkage or swelling in a longitudinal plane. The balanced construction of a plywood panel with the grain direction of adjacent veneers at right angles tends to equalise stress, thus reducing shrinkage, swelling and warping.


ROOF SUPPORTING STRUCTURE
Kapur wood
Kapur wood is for structure to support the stage the roof which is hold strong and not broken.







6.2.2    FOR ACTUAL STAGE

SUBJECT


TYPES

ADVANTAGES





ROOF


YELLOW MERANTI WOOD AND TINTED GLASS
heat absorbing glass temperately controlling the solar radiation energy. It is manufactured by the float process in which traces of metallic oxidants such as iron, nickel, and cobalt are added to the raw material of a basic float glass, providing high visible light transmission with low shading coefficient. Its wide array of colours gives elegance and enhanced appearance to almost all building facades



WALL


YELLOW MERANTI WOOD
-easy to use with hand or machine tools.
- Simple and easy nailed on sides.
 -It is also easy to upheaval.




FLOOR



BALAU WOOD

A very hard wood, Balau has unique light and pale heartwood. It has a distinctive brushed streaked grain. Balau is a very hardwood that can be used for heavy duty flooring, construction, utility furniture, framing and boat construction.

ROOF SUPPORTING STRUCTURE


STEEL

To support the roof, we use steel because   it is safeguards the buildings against damages in case of climatic effects like earthquakes It is strong and durable as well as less expensive and resistant to fire.


6.3  BUILDING SERVICES
6.3.1          Lighting system
          Modern stage lighting is a flexible tool in the production of theatre, dance, opera and other performance arts. Several different types of stage lighting instruments are used in the pursuit of the various principles or goals of lighting.
          The simple ability to see what is occurring on stage. Any lighting design will be ineffective if the viewers cannot see the characters; unless this is the explicit intent.
          To make the actors clearly visible so that their expressions and emotions can be easily projected to the audience.
          To give actors and action a suitably dramatic appearance within the play’s mood and setting.
          To compliment and highlight the sets and costumes.

6.3.2      Type of lighting use
TECHNICAL FEATURES
• Light output higher than the usual 300W halogen lamps, with energy saving and less heat production
• No dangerous UV or IR rays for the safe lighting of the people and  objects
• Different colour temperature versions
• Possibility of dimming, without the problem of changing the colour temperature
• Real further energy saving when dimming: as the reduction of light corresponds to the real reduction of the costs.


      I.        Spotlight BeamLED 50-100
http://www.spotlight.it/files/prodotto/immagine/LED/BM_LED_50-100.jpg
TECHNICAL FEATURE
  • lighting of the people and objects
  • Extra long life of any coloured filters thanks to the cold and clean light beam
  • Possibility of dimming, without the problem of changing the colour temperature
  • Clean light source without mercury and radioactive components


    II.        6 spot Spotlight
http://www.chauvetlighting.com/products/images/6spot_p_1L.jpg
• Complete and portable spot lighting solution fitted with high-intensity, tri-colour LEDs 
• Achieve total room or stage coverage with 6 individually adjustable heads
• Easily set-up and tear down
• Create 7 popular colours with high-power, tri-colour LEDs that mix instantly 
• Increase mounting options by safely mounting to truss using built-in bolts 
• Save time running cables and extension cords by power linking multiple units
• Mounts to almost any universal tripod


   III.        Spotlight Quadro
http://www.spotlight.it/files/image/PROIETTORI/Effetti/D_W400.gif





TECHNICAL FEATURES

• aluminium and steel housing
• Heat insulated knobs and handles
• 1.5 m power supply cable (plug available on request)
• Standard 230V 50/60 Hz power supply
• Strain relief cable clamp



6.3.3    Lighting location
C360_2013-11-19-21-55-03.jpg


6.2    Fire protection service
Carbon Dioxide is ideal for fires involving electrical apparatus, and will also extinguish class B liquid fires, but has NO POST FIRE SECURITY and the fire could re-ignite.
·         Carbon Dioxide (CO2) Fire Extinguishers are distinguished by a black coloured band around the top of the cylinder. 
·         Carbon dioxide is a non-conductive and non-corrosive gas used to reduce the amount of oxygen available to the fire. Carbon dioxide is extracted from the atmosphere and stored at high pressure in the liquid state within a fire extinguisher. 

Since our amphitheatre has been installed with many electronical items it is best to used this kind of fire extinguisher .

   6.3.1 Suggested place for fire extinguisher
CO2 Fire Extinguisher








3.0       Sound System & PA system
-The functions of sound system is to amplify and to adjust the sound quality of an audio signal and to provide corresponding output  to give a best  feeling for audience listening
-Given below is the chosen sound system that we proposed for the amphitheater stage:
·          Microphone

-This microphone is designed for demanding vocal use, but also work well as an instrumental mic.
Specifications
Element type: dynamic
Polar pattern: supercardiodid
Product category: vocal handheld microphone


•           Mixer


-The main function of this device is to mix multiple audio  signals while adjusting their relative levels and independent sound quality




•           Amplifier

All speakers require power amplification of the low level signal by an amplifier, including headphones.


The function of amplifier is to mixed and processed  audio signal to a level that suitable to derive the speaker system.  The amplifier that use for this amphitheater is power amplifier.

-4.o-






*ON STAGE

•slave output for daisy-chaining
•unit of measure EA
•weight 54lbs


                        *CEILING

-The description for this speaker:
•1 3/8’’ ‘’ diameter pole mount on top of cabinet.
•Made up from metal grills
•Heavy duty stamped frame woofer
•Weight 60 pound each
•Dimensions: 25.5’’(H) x 23’’(w) x 18’’(D








Lastly for the on stage monitor we use LCD monitor for the performer to see either lyrics or live stream of their performance.

Display technology : LCD
Brightness: 300cd/m²
Screen size: 22inch




-The ways of sequence for the sound system on whole stage:
’ Subwoofer Speakers Pair
 
 Subwoofer Speakers Pair
 
 

                                                                       
http://i.ebayimg.com/t/Samsung-SyncMaster-2233RZ-22-120Hz-Widescreen-LCD-Monitor-300-cd-m2-DC-2000-/00/s/MTA2NlgxNjAw/z/kRkAAOxydB1Sd69y/$T2eC16V,!)0FI,UYLkdHBSd69)kR4g~~60_12.JPG
 

 











3.1       Backdrop
For backdrop area for the stage, we decided to make it removable. We don’t want to block the beautiful view that can be seen at the back of the stage. So we propose to make a pull-out backdrop made up of cloth.When we need the backdrop for certain purpose the only things need to do is pull the backdrop. The backdrop will be located at the second section of the stage


















7.0       Conclusion
This project 6 consist of many tasks that are out of our knowledge. However by doing this project we have learned so many things such as how to work in a big group, how to handle a meeting, how to manage stress and many more.
            Group members are also able to communicate in good way such that every problem that occurred we manage to handle it professionally.Besides, group members also gain some knowledge on how to produce a proposal report.
            In terms of construction method, now we all  know why does each building use a very kind of foundation and material used. It is basically related to the topography of the site, each topography condition has it own suitable construction method.
            Group members are also able to know what sound system can be used in a widerange area site. Instead of just knowing how to prepare a sound system for 100 plus person, we also need to know where to put the speakers and does the range of the sound comfortable and nice to hear.
            Overall, this project is a tough project since we have to work in a team of 16 person and to design an Amphitheatre stage for school of Housing, Building and planning.